HANGANA
We Are HANGANA.A groove metal band Hangana, inspired by the heavy, syncopated rhythms and aggressive vocals, combines thrash elements with down-tuned guitar riffs that creates a raw energy and intensity. Hangana Website Hangana @ Facebook Hangana @ Instagram |
TOYOYO
HxC - We like pink bow tiesToyoyo @ Facebook Toyoyo @ YouTube |
CHAINED PISTONS
Chained Pistons @ FacebookChained Pistons @ YouTube |
EMBRACE OF THORNS
EMBRACE OF THORNS started it's nihilistic ,blasphemous way towards the grandeur of the final victory in 1998.The raging black/death manifestations are,since then,perpetually expanding and evolving,vomiting fire and curses,continuing the tradition of the incarnated forms of darkness that declared war on the unsuspected feeble zealots almost three decades ago in the temple of black/death vortex.Embrace of Thorns @ Bandcamp Embrace of Thorns @ Deezer Embrace of Thorns @ Facebook Embrace of Thorns @ Instagram Embrace of Thorns @ Spotify |
KHNVM
Pulverising blackened death metal trio from Bangladesh and Germany.Pronounced as "Khaa-nooom". KHNVM @ Bandcamp KHNVM @ Deezer KHNVM @ Facebook KHNVM @ Instagram KHNVM @ Spotify KHNVM @ YouTube |
ELEINE
ELEINE was founded by lead vocalist Madeleine Liljestam & guitarist/growler Rikard Ekberg in 2014. The following year ELEINE released their self-titled debut album. When performing on stage, they never fail to deliver a show that captivates the audience by seducing and striking them with a massive sense of wonder and empowering vibes.In early 2016, ELEINE took a new turn when the band and their label went separate ways. In June of the same year they released their hit single "Break Take Live" along with a music video that was well received by critics and fans. During the fall of 2016, ELEINE went on their first European tour, as an opening act for the Portuguese metal giant MOONSPELL. This was a huge success and came to be a big stepping stone for ELEINE. In 2017 Madeleine and Rikard started their own record label, Algoth Records, and joined forces with the well known label Black Lodge Records and Sound Pollution Distribution. During the same year they played several renowned shows, one of which was Gefle Metal Festival. In October of 2017 ELEINE released their single, "Hell Moon (We Shall Never Die)" before they went on tour in Sweden with the legendary W.A.S.P. Shortly after this tour, ELEINE was invited to headline the Loud & Metal Mania festival 2017 in Tokyo, Japan. A huge feat that still resonates amongst their fans. A new chapter began for ELEINE when they released their second full-length album "Until The End" in February of 2018. During its first week of release, the album placed #1 in the Swedish album sales charts. ”Until The End” also saw an Asian release through the label Marquee Inc./Avalon that includes an exclusive bonus track. During 2018 ELEINE toured with ARCH ENEMY on their Swedish leg of ”Will To Power”-tour and went on to do headline tours of their own in both Sweden and UK . 2019 was a successful year for ELEINE. It was a year where the tours circled around festivals while they worked on their upcoming release, the five track EP ”All Shall Burn”, from which they released a total of three singles before the release. "Enemies" was the first single out and it instantly became a hit for ELEINE, reaching over 2,5 million Youtube views in just 6 months. The second single was a cover of the well-known "Mein Herz Brennt", by Rammstein, that was quickly added to Spotify’s list ”Metal Covers” and Rammstein's own playlist "Rammstein by others". The third and last single from the EP was the title track "All Shall Burn", which has become one of ELEINE's most popular songs of all time. The EP placed high up on several Swedish sales charts during its first week of release, verifying that the EP was a success. After the release of the EP ”All Shall Burn”, ELEINE headed out on a 5 week European Tour alongside with MYRATH in February/March 2020. Sadly, due to the COVID-19 virus spreading around the world, the last two weeks of the tour had to be cancelled. ELEINE released their 3rd full-length & breakthrough album"Dancing In Hell" in the middle of the pandemic of 2020. "Dancing In Hell" instantly placed high on the sales charts and the album took the band to the next level. January 2022 the band announced they signed a deal with the new mighty record label Atomic Fire Record. They did a spin-off release, an acoustic EP called ”Acoustic In Hell” all in the honor of the special guest slot on the acoustic tour they were invited to by Sonata Arctica that took place in October 2022 and 7 weeks onwards. While working on new material ELEINE toured with Sonata Arctica, played across theAtlantic at 70 000 tons of metal in February 2023, supported Kamelot on a 4 week European tour in March – April 2023, followed by their first ever North American tour between late April – May for 4 weeks as special guest to Moonspell covering big parts of the US and Canada. During this time ELEINE started to release new singles. First up was “We Are Legion” in March, followed by “Never Forget”, “War Das Alles” and “Stand By The Flame” until the full album “We Shall Remain” was released on July 14th and quickly has become the most popular and successful album release for ELEINE so far! Eleine Website Eleine @ Bandcamp Eleine @ Facebook Eleine @ Instagram Eleine @ SoundCloud Eleine @ Spotify Eleine @ X Eleine @ YouTube |
KLOGR
Despite the prejudices surrounding the world of alternative metal, KLOGR exemplifies a band that has consistently captivated and retained its audience. With their next full-length album due out next winter, the band lives up to its name, returning to the scene with an impeccable album that pays attention to the smallest details and is rich in nuances and influences.Following their last album, Keystone (2017), which saw Klogr sharing the stage with bands such as The Rasmus, Infected Rain, and Butcher Babies, the band is finally ready to return with new music and a new tour. "Many things have happened in recent years that have slowed down the band's activity, personal problems and global situations that we all know. It took time for the new work, but I'm sure of one thing: never has so much energy been concentrated in a Klogr album. It was worth it, and we're ready to get back on the scene and stay there," says Rusty. Since their formation in 2011, KLOGR has relentlessly toured until 2020, conquering international stages and supporting acts like Prong, Limp Bizkit, Guano Apes, and Puddle of Mudd. In 2017, the band released a video capturing their intense live performances, featuring footage from ten shows with special guest Art Cruz. After their Winter 2024 tour, where they supported Evergrey for 46 shows across Europe and the UK, Klogr are ready to take on 2025 with new tours and new music. They will demonstrate their uncontrollable power and energy, reaffirming their place in the alternative metal scene. Klogr Website Klogr @ Facebook Klogr @ Instagram Klogr @ Spotify Klogr @ TikTok Klogr @ X Klogr @ YouTube |
FINAL STAGE
This is Final Stage, an Italian modern metal band, which started playing in Venice in 2020. Their music is mainly influenced by bands like Evanescence, Linkin Park, Papa Roach, Motionless in White and many others.In their lyrics, they face themes like social judgment, uncertainty about the future and sense of inferiority, narrated with a modern metal sound, which leads to a mix of intensity and emotional involvement. In their 4 years of activity, they played in over 200 events in Italy, Germany and Austria, in clubs and festivals like “Padova Metal Fest 2023”(IT) and Das Große Treffen 2023” (DEU). They are looking to publish their first album in 2025, taking the next step into the international scene. Final Stage @ Facebook Final Stage @ Instagram Final Stage @ TikTok Final Stage @ YouTube |
IV AND THE STRANGE BAND
"Patience is a virtue." Those words are tattooed across Coleman Williams' right arm, forever reminding the alternative-country singer/songwriter of the benefits of taking one's time.The lesson wasn't always so clear. As the great-grandson of Hank Williams Sr., grandson of Hank Williams Jr., and only son of Hank 3, Coleman spent years waging an internal battle with the expectations thrust upon him by his own lineage. He represented the fourth generation of country music's most legendary family — hence his nickname, "IV" — and the pressure to launch his own career was enormous. Although Coleman would eventually make his mark with Southern Circus — the genre-bending debut from his band, IV and the Strange Band, combining southern storytelling and country textures with 100-watt guitar amps and DIY attitude — he needed to break free first and discover his own musical approach along the way. "Before I even knew who I was, people were already expecting things of me," he says. "It felt like there was zero freedom of expression for someone with the last name 'Williams.' Singing about a bloodline didn't appeal to me, though. I wasn't interested in fitting into a shadow that already existed. What did appeal to me was the underground scene in Nashville." Coleman became a fierce champion of Nashville's house-show circuit as a teenager, drawn in by the scene's supportive spirit and DIY ethics. This was a community that valued principles over pedigrees. A community that offered artists of all stripes a place to express themselves. From punk shows to heavy metal gigs to electronic experiments, Coleman loved it all… and for the first time in his life, he felt like he belonged somewhere. "I was a weird kid who grew up in an unusual situation," he says. "When I began going to house shows in Nashville, I felt like I'd found a family of people whom nobody else wanted — kids who were different and misunderstood — and during these two-hour shows, everyone belonged, everyone felt accepted, and everyone had a place. The experience taught me to trust my instincts. It gave me a new sense of independence. I have to believe that's why Hank Williams made music, too; he could see what it did for people." Inspired to blaze his own trail, Coleman left town after high school and traveled across America, developing musical tastes that were as diverse as the country itself. Over the decade that followed, he became a history buff, a poet, a metalworker, and an educator. Back home in Nashville, he continued his lifelong practice of writing songs, developing the unique sound — a blend of the amplified and the acoustic, laced with fiddle one minute and heavy guitars the next — that would later fill Southern Circus. Coleman took his time. He wanted the sound to be right. Patience is a virtue, after all. Local producer Jason Dietz became a fan of Coleman's songs, prompting the two to begin collaborating. Guitarist David Talley joined them, as did banjo player, Daniel Mason and drummer Carson Kehrer. All five musicians (along with fiddler Laura Beth Jewell and steel player, John Judkins who both appear on the record) came from different musical backgrounds, but they worked together to build something new, using Coleman's acoustic tunes as the blueprint for a southern sound that was soothing one minute and strident the next. An album began taking shape. Just shy of his thirtieth birthday, Coleman Williams made his long-awaited debut with "Son of Sin," a single that was released in 2021 by IV and the Strange Band. "I like to say, 'What doesn't kill you makes you stranger,'" he explains. "I love strangeness and I love my Strange Band. The most genuine people in this world are those who allow themselves to be the weirdos they truly are, because once you repress yourself, that's when you become someone you're not." Coleman channeled this love of the weird and self-certainty into Southern Circus which bounces between autobiographical songs and story-driven tracks inspired by Coleman's historical interests. On "Inbred," he turns the true-life tale of the Fugates — a Kentucky family whose inbred history attracted the attention and anger of religious zealots during the 1800s — into a song about Christian hypocrisy. "Malice" is a swaggering country song based upon a newspaper article about a married couple who each decided to poison the other on the same morning, while "Drinking Sad" pays tribute to the outlaw country bar songs that soundtracked Coleman's childhood. Appropriately, modern-day outlaw Jaime Wyatt appears on the hauntingly elegant "Broken Pieces," contributing vocals to a song about, as Coleman puts it, "the idea someone can’t truly love you unless they know how fucked up you really are." Perhaps nothing encapsulates Coleman Williams' story better than "Stand Your Ground," a seize-the-day anthem that advises its listener to roll with the world's punches and refuse to remain knocked down. The song opens with a leisurely lope, only to segue into a faster section propelled by train beats, banjo arpeggios, and Coleman's anthemic melodies. There are flashes of country twang and rock & roll grit throughout, fused together by a man who's not afraid to blur the dividing line between those camps. Southern Circus offers a peak into Coleman's personal world, and under this Big Top, all southern sounds — and all people — are welcome. "PT Barnum always said, 'The clowns are the heart of the circus,'" Coleman notes. "The circus is all about expression — about being yourself and finding a unique family, just like the house-show scene — and clowns embody that spirit. They're comfortable with being themselves, and they're trying to give you a pure, emotional catharsis. I love that. I feel like I'm the clown of this southern circus." Southern Circus finds a balance between spectacle and spirit, determination and deliverance, melodies and muscle. It's the sound of a man honoring his family tree while planting his own garden. To make it, Coleman had to leave home, explore sounds that stretched beyond his bloodline's catalog, and challenge the world's expectations that he'd join family business. Southern Circus is his homecoming: an album that finds him not falling into a legacy, but earning it. IV and The Strange Band Website IV and The Strange Band @ Facebook IV and The Strange Band @ Spotify IV and The Strange Band @ YouTube |
DARK TRANQUILLITY
Melodic death metal phenoms DARK TRANQUILLITY herald uncertain times on their new album, Endtime Signals. The Swedish outfit made their mark indelible with The Gallery (1995), Damage Done (2002), Fiction (2007) and the Grammy-winning Moment (2020) but are now venturing into the skyline beyond. By harnessing the chaos/despair of our day and embracing family—former members Fredrik Johansson (R.I.P. 2022) and Niklas Sundin contributed to two songs—DARK TRANQUILLITY break through apathy, fragility and wickedness on Endtime Signals. Mikael Stanne (vocals), Martin Brändström (keyboards), Johan Reinholdz (guitars), Joakim Strandberg Nilsson (drums) and Christian Jansson (bass) empower our passions, light our darkness and blaze us away from annihilation throughout the album's 12-song sweep, but it's singles "The Last Imagination", "Unforgivable" and "Not Nothing" where they focus wholeheartedly on the journey."It's an inspiration to have new musicians [Joakim and Christian] in DARK TRANQUILLITY," says Brändström, spotlighting recent lineup changes. "There's new flavors with new musicians. Joakim is a very technical drummer. He opened up new avenues of composing music. With that energy, we thought it would be cool to revisit faster songs. Christian, who is from Pagandom, understood who the band are and already knew what we've done—I think he's been in our orbit since day one. They're both highly motivated. So, figuring out the album we wanted to make wasn't a stretch for them. Musically, it's melancholy neighboring rage. The world is futile, and our music gives us (the band and our fans) the power to do something about it. We're standing strong, confronting things head-on". Endtime Signals is tried and true DARK TRANQUILLITY. It has white-hot aggression ("Unforgiveable"), ballads ("One of Us Is Gone"), balance ("The Last Imagination"), moody movie-like scores ("Our Disconnect") and ominous proclamations ("A Bleaker Sun"). Yet, this time, it all feels different. The Gothenburgers are, in a way, starting anew. The lineup has changed—both Strandberg Nilsson and Jansson are new to the fold—and so too has life and everything it's thrown at the band. The storm clouds have profoundly affected the Swedes. With Reinholdz helming the songwriting with Brändström, the story that began with We Are the Void (2010) has ended. Endtime Signals is a darker, grittier, more resolute DARK TRANQUILLITY. Whereas Moment spun positivity into the zeitgeist, Endtime Signals is less optimistic. The lyrics by longtime wordsmith Stanne reflect that. "The last time I wrote was before the pandemic", Stanne says, who described Endtime Signals as absolutely cathartic. "It was time to deal with some of that. Many things happened when we started writing for this album a year and a half ago. We lost a lot of friends like Fredrik [Johansson]. The world seemed like a more hostile place overall. We have new guys in the band, too. We felt like we had to make an album that needed to be taken very seriously. So, it's everything I've been thinking about for the last two years. We're destroying our lives, world, atmosphere and reality systems. It's so hard to get along and agree on things now. There's a lot of doomsday feeling in this album. I asked myself, how do we get ourselves out of this? I felt helpless and insignificant. All this spiraled into what I'd call a 'light depression'. Writing was my only way out of it". DARK TRANQUILLITY recorded Endtime Signals at Rogue Music, Nacksving Studios and Fascination Street Studios. The band spent endless hours at producer Brändström's Rogue Music in Gothenburg, recording guitars, bass, keyboards/electronics and vocals. Strandberg Nilsson's drums were ferried to Jens Bogren's Fascination Street Studios in Örebro, where engineer Alexander Backlund (Soen, Dödsrit) knocked it out of the park. The strings, prominently woven into the touching Johansson tribute "One of Us Is Gone", as performed by members of the Gothenburg Symphony Orchestra, were, along with additional guitars, finalized at Nacksving Studios, also in Gothenburg. Jens Bogren (Ihsahn, At The Gates) expertly handled the mix and master. All told, DARK TRANQUILLITY was nestled in Brändström's Endtime Signals production from October 2023 to March 2024. The arduous months-long toil resulted in a magnificently-sounding endeavor of artful perfection and human intelligence. Whether it's the aggro-melodic sharpness of opener "Shivers and Voids," the crushing weight of "Drowned Out Voices," the dystopian vibes of "Our Disconnect," or the Niklas Sundin-inflected "False Reflection," Endtime Signals has an unmistakable halo. "We already knew Jens was going to mix—that was obvious from the beginning", Reinholdz says, revealing DARK TRANQUILLITY's propensity to plan in advance. "We felt it made sense for the drums to be recorded with Alex at Fascination Street Studios, but there was a long pre-production period. I'd say Martin's in everything the deepest, but our process is very democratic. Me, Martin, Mikael and, to some extent, Joakim were constantly revising the songs. We'd play off one another. There's a lot of nuance in our work, especially with the riffs, where the solos fit in and how the keyboards sound against it all. That took a lot of time. I couldn't be happier with how it all turned out". Former guitarist Sundin has had a direct hand in—whether via his name or design studio, Cabin Fever Media—DARK TRANQUILLITY's art direction going back to the early '90s. The industrious Swede has also played a significant design role in bands like Arch Enemy, In Flames and At The Gates, to name a few. Reprising his long-standing position as their go-to visual innovator, Sundin crafted a cover that's as striking as the music and portentous as the lyrics: the shadowy hues and simple lines telegraph DARK TRANQUILLITY's new posture. The sun is blurred black, the heavens have violently opened and the duo on the cover embrace an unfortunate ascension. The Endtime Signals have indeed begun. "The basic sketches and some of the more refined drawings were done with old-fashioned pen on paper", Sundin says, who was involved from the very beginning. "I still feel that this is the most direct and intuitive method. After scanning the illustrations, the rest of the work was done in the digital realm (though still mostly hand-drawn in the sense that I use a Wacom tablet). I think this analog-to-digital method mirrors the music well; there's a human component where one values tradition and craftsmanship, but at the same time, there's a lot of forward-thinking as well". Many albums define the times. Just as Slayer's Seasons in the Abyss symbolizes the '90s, Opeth's Ghost Reveries the aughts and Watain's Lawless Darkness the tenties, DARK TRANQUILLITY's Endtime Signals the album of our day. The 12 impactful, powerful songs on offer speak to our inward-moving souls, question our increasingly selfish motives and act defiantly as wedge in the darkness. They do so with remarkable finesse. Will we see the signs and understand the humble yet gifted language of DARK TRANQUILLITY's Endtime Signals? Yes, we will. Dark Tranquillity Website Dark Tranquillity @ Bandcamp Dark Tranquillity @ Deezer Dark Tranquillity @ Facebook Dark Tranquillity @ Instagram Dark Tranquillity @ SoundCloud Dark Tranquillity @ Spotify Dark Tranquillity @ X Dark Tranquillity @ YouTube |
MOONSPELL
Established in 1992, MOONSPELL became one of the most recognizable voices of European Metal, adding their own Portuguese chapter to history of worldwide Heavy Metal music.The band is celebrating their 30th anniversary. The Portuguese Gothic Metal visionaries introduced themselves to the world with the much-celebrated underground EP Under the Moonspell and their legendary Century Media debut Wolfheart in 1995. The follow up, Irreligious, in 1996, took the band to another level of recognition, around the globe, and since then the band has never stopped touring and delivering new and different music, keeping their huge fan-base in the five continents always on the lookout for up-to-date atmospheric Metal and passionate live shows. In 2021, they have released Hermitage, their most recent effort, that was acclaimed by the fans and the press, as one of the best albums of the year. In late September 2022 they will release their new live album/DVD/BluRay, recorded 80 meters below surface, in a natural cave in Portugal, while resuming their always very significant live activity to celebrate their three decades on stage, in front of their pack. Moonspell Website Moonspell @ Bandcamp Moonspell @ Deezer Moonspell @ Facebook Moonspell @ Instagram Moonspell @ ReverbNation Moonspell @ SoundCloud Moonspell @ Spotify Moonspell @ X Moonspell @ YouTube |
HIRAES
Emerging from the disbanded Dawn of Disease, Melodic Death Metal powerhouse HIRAES embarked on their musical endeavour in 2020. The dynamic quintet melds the collective talents of former Dawn of Disease instrumentalists Lukas Kerk, Oliver Kirchner, Christian Wösten, and Mathias Blässe with the commanding vocals of Britta Görtz (ex-Critical Mess, ex-Cripper) to craft a thrilling new Melodic Death experience.HIRAES' music weaves between anthemic melodies and captivating guitar riffs, where catchy hooks meet relentless drumming, all enveloped in a melancholic aura. Lead singer Britta's distinctive, versatile growls and screams add a distinctive layer of depth to their sound. The band's musical identity finds inspiration in the Welsh term "hiraeth," encapsulating a sense of nostalgia and yearning for lost places or a home that might never have existed, casting a profound gloom over HIRAES' concept. This compelling atmosphere is mirrored in their poignant, emotional lyrics. In 2021, HIRAES made waves with their critically acclaimed debut album, "Solitary," released under Napalm Records, despite the challenges posed by the pandemic. Their live performances left an indelible mark, touring with bands like Crypta, Evil Invaders, Konvent, Left To Die (featuring members of Death), and Be’Lakor, establishing HIRAES as a captivating live act throughout Europe. Anticipation peaked as fans eagerly awaited their sophomore release, "Dormant," that hit the shelves via Napalm Records on January 26, 2024. HIRAES' journey continues, promising more electrifying performances and captivating music. Hiraes Website Hiraes @ Bandcamp Hiraes @ Deezer Hiraes @ Facebook Hiraes @ Instagram Hiraes @ Spotify |
LOVATRAXX
Lovataraxx is a cold wave and minimal synth duo spinning its web for more than five years and taking us to familiar places with their be witching melodies.They bring a personal touch to the darkwave pool,creating minimal and impulsive beats, or more danceable rhythms, soft ened by hypnotical and lethal voices.Lovataraxx @ Bandcamp Lovataraxx @ Facebook Lovataraxx @ Instagram Lovataraxx @ Spotify Lovataraxx @ YouTube |
KIKCS
Glasbena skupina Kikcs je nastala leta 2020 in igra indie punk.Kikcs @ Bandcamp Kikcs @ Facebook Kikcs @ YouTube |
SPECTRAL WOUND
Spectral Wound play black metal, unadulterated and unadorned. Against the grain of both atmospheric and militaristic strands of the genre, Spectral Wound carves a space beyond the fetish of nature or the puerile romance of power. Without God, without Satan, without Odin, without nation, without transcendence, without essence. Spectral Wound channels the horrors of the flesh and the violence of the spirit, deformed under the weight of history, poised on the brink of a whirling void.Spectral Wound formed in 2014 in Montreal, Québec, as a vessel of self-negation and existential dread, melding the raw fury of traditional black metal with the melodic sensibilities of Finnish and Québécois BM. After the departure of lead guitarist Mike Kirkenbranssar following 2015’s Terra Nullius, Spectral Wound expanded their lineup with the addition of guitarists Patrick McDowall and Sean Zumbusch, developing and refining the band’s sound on the monumental Infernal Decadence (2018). With the recruitment of Samuel Arseneau-Roy on bass in 2019, the band went on to release A Diabolic Thirst in 2021, a further distillation of the ferocity and towering, exultant melancholy that is Spectral Wound. Spectral Wound @ Bandcamp Spectral Wound @ Deezer Spectral Wound @ Facebook Spectral Wound @ Instagram Spectral Wound @ Spotify |
LAMP OF MURMUUR
Few artists in recent memory have swept through the dark underground with the excited fervour that Lamp of Murmuur has achieved since first appearing with a string of demos in 2019.Despite the project’s quick rise to renown, little is known about the band except that the project hails from Los Angeles, CA, and is led by an enigmatic man known as M. Lamp of Murmuur @ Bandcamp Lamp of Murmuur @ Deezer Lamp of Murmuur @ Instagram Lamp of Murmuur @ Spotify |
COMBICHRIST
Combichrist, a Norwegian / American aggrotech and industrial metal band, continues to evolve and make significant strides in the music industry. In 2024, they released their tenth studio album, CMBCRST, showcasing their dynamic range and commitment to pushing genre boundaries.The current live band is founder and lead vocalist Andy LaPlegua, guitarist Eric13, keyboardist Elliott Berlin, drummer Dane White, and guitarist Jamie Cronander, all contributing to the band’s powerful live performances. Combichrist’s relentless innovation and energy affirm their influential status in the industrial music scene. Combichrist Website Combichrist @ Bandcamp Combichrist @ Facebook Combichrist @ Instagram Combichrist @ SoundCloud Combichrist @ Spotify Combichrist @ X Combichrist @ YouTube |
EXTIZE
In the shadowy depths of the electronic music abyss, there emerged a phenomenon like no other, a bizarre fusion of dark music and twisted humor. EXTIZE are like an UFO soaring high above the gothic electronic scene.Born from the mind of the inimitable frontman Rapha Hell, EXTIZE crash-landed onto the music scene in 2007 with all the subtlety of a chainsaw-wielding maniac in a moonlit cornfield. Hailing from the unholy union of France and Germany, this dark electronic misfit would go on to bewilder, entertain, and terrify audiences worldwide. EXTIZE's musical journey is a genre-bending rollercoaster through the nightmarish realms of sound. Picture this: "Redneck Industrial," an unholy matrimony of country twang and soul-crushing industrial beats, as if Leatherface decided to swap his chainsaw for a synthesizer. But wait, there's more. "Anarchy Engineers" beckons you into a dystopian cyberpunk story, where man and machine merge in a dance of digital anarchy. Their latest album "MonStars" is a ghastly tribute to cult horror flicks from the '80s to the 2000s. Think of it as a gloomy séance summoning the spirits of Freddy Krueger, Jason Voorhees, and every other bogeyman that ever haunted your dreams. But don't be fooled by their macabre melodies and twisted tales, for EXTIZE brings the wicked humor of French farce to the fore. These friendly aliens indulge in a hearty dose of self-derision and dark humor, proving that even in the darkest of nights, a laugh can be as piercing as a scream. In the murky depths of their musical landscape, EXTIZE defies categorization. One moment, you're knee-deep in the rusted gears of industrial cacophony; the next, you're soaring through the neon-lit skies of futurepop, only to plummet into the abyss of acid darkwave. It's a sonic carnival of horrors that's impossible to predict, like a zombie outbreak at a rave party. But make no mistake, dear dark souls, for EXTIZE is more than just a musical spectacle: they are the dark electronic party band your blackened hearts have yearned for. They beckon you to join their darkly exhilarating dance of the damned, where French humor meets Gothic despair, and the party never ends. So, when you see that UFO in the festival lineup, don't run for cover—embrace the madness, join the revelry, and let EXTIZE take you on a spine-tingling journey through the twisted corridors of their musical minds. In the world of dark electronic music, they are the true MonStars, and you're invited to the most electrifying party this side of the graveyard. Extize @ Bandcamp Extize @ Deezer Extize @ Facebook Extize @ Instagram Extize @ Spotify Extize @ YouTube |
CRIMSON VEIL
Dark progressive band from Brighton, UK. Crimson Veil are a group of multi- instrumentalists that blend elements of rock, metal and cinematic music to create a sound that's striking and unique.The band travel through multiple genres while still retaining their signature dark and brooding sound which could be described as ethereal, yet heavy and progressive rock. Aptly titled ‘HEX’, their debut collection of songs is esoteric in theme, with a dark visual aesthetic that sees the band redefining the auspices of progressive and post-metal music. Crimson Veil emerge as a new project from their previous band, Birdeatsbaby, who toured extensively through the UK, US, Germany and Mexico, supporting bands such as ASP, Coppelius and The Courtesans. As Birdeatsbaby, the band worked with the likes of Paul Reeve (Muse fame) and John Fryer (Depeche Mode, Nine Inch Nails…). Their music was featured in ‘Close to Me’ (Channel 4 thriller starring Connie Nielson and Christopher Eccleston) and was reviewed by magazines such as Orkus and Prog. Stepping further into progressive and post-metal territory, these accomplished musicians now embark upon a new chapter with a suitably esoteric name, Crimson Veil. Their debut album promises to engulf the senses with a dark visual aesthetic and a musical style that will challenge your preconceptions of metal. Crimson Veil Website Crimson Veil @ Facebook Crimson Veil @ Instagram Crimson Veil @ Spotify Crimson Veil @ Threads Crimson Veil @ TikTok Crimson Veil @ X Crimson Veil @ YouTube |
ESOTERIK
Since their inception in 2013, the US Dark Pop duo ESOTERIK has enchanted fans with their unique blend of sound, affectionately dubbed Pagan-Synth. Comprised of the dynamic Allison Eckfeldt and Brady Bledsoe, the band masterfully fuses the melodic essence of 80’s synthpop with the raw intensity of rock. Their music delves deep into the human experience, exploring both the seen and unseen aspects of life, inviting listeners on a journey through shadow and light.Their latest LP, “Alchemy”, has been hailed as a mesmerizing fusion of mystical folk elements and electronic rhythms. Described as “beautiful and danceable with a spiritual core,” the album transports listeners to a time when humanity was more attuned to the earth and its mysteries. On November 22, 2024, ESOTERIK unveiled their highly anticipated EP, “Archetypes”. This release, preceded by a series of captivating singles and videos, has been met with acclaim from both critics and fans. The EP showcases a refinement in both composition and production, with each single earning a spot on the Deutsche Alternative Charts. Notably, the track “Trickster” broke into the top 10, highlighting the band’s growing influence. “Archetypes” explores timeless themes that have shaped societies for centuries. The band delves into the power of language and storytelling, celebrating legends that transcend time and culture. These stories, rich in symbolism and ritual, carry the wisdom of generations and continue to captivate audiences with their enduring lessons and sensational nature. Esoterik Website Esoterik @ Facebook Esoterik @ Instagram Esoterik @ Spotify Esoterik @ YouTube |
GRIMA
Started in 2014 as a studio-only endeavor by two twins (Vilhelm and Morbius) from Siberia, Grima has gradually become a four-piece band, active both live and in studio.Grima @ Bandcamp Grima @ Deezer Grima @ Facebook Grima @ Instagram Grima @ Spotify Grima @ YouTube |
STONED JESUS
Doomy proggy poppy banging music from Ukraine.Stoned Jesus @ Bandcamp Stoned Jesus @ Deezer Stoned Jesus @ Facebook Stoned Jesus @ Instagram Stoned Jesus @ SoundCloud Stoned Jesus @ Spotify Stoned Jesus @ X Stoned Jesus @ YouTube |
POLYMOON
Polymoon is a rock band from Tampere, Finland where it was formed in the autumn of 2018. Polymoon's unique sound draws from various influences, including psychedelic rock, progressive rock and shoegaze. Polymoon released its critically acclaimed debut album, Caterpillars of Creation, via Svart Records in the autumn of 2020. After playing various venues supporting the album release, Polymoon signed with Berlin-based Robotor Records in 2021.Since its formation, Polymoon has aimed to lift the listener to a higher level of existence through the aural combination of euphoria and melancholia. On their debut album, Polymoon strived to lure their listeners towards them, to join them behind their secretive veil. But Polymoon is this formless entity no more. On their second album the clandestine curtains have been opened: embrace the second phase of Polymoon's metamorphosis where everything is exposed and nothing is hidden anymore. The chrysalis is opening and the newly-formed wings are slowly unfolding. Old conventions have been blown to pieces and the shell is cracking. The rays of light are shining through more brightly than ever before. Be prepared to dance. Polymoon's second musical manifestation, Chrysalis, was released through Robotor Records on the 17th of February, 2023. Polymoon Website Polymoon @ Bandcamp Polymoon @ Deezer Polymoon @ Facebook Polymoon @ Instagram Polymoon @ Spotify Polymoon @ TikTok Polymoon @ YouTube |
RICKSHAW BILLIE'S BURGER PATROL
“Our catalog has never been short on big dumb riffs, but the idea on this record was to really turn the screw,” says RBBP bassist Aaron Metzdorf.On Big Dumb Riffs, that screw is cranked incredibly tight. “We just wanted ‘the part’: The opening of Pantera’s ‘Primal Concrete Sledge’, the breakdown in Primus' ‘Pudding Time’ — the shit that makes you move and lose your mind. Just that part the whole time.” Across 11 concise, taut songs — most clocking in around 2 minutes or less — Rickshaw Billie’s Burger Patrol demonstrates their skillful ability to blend the merciless low end of Leo Lydon’s 8-string guitar, Aaron Metzdorf’s masterful chordwork on the bass, and Sean St.Germain’s driving drumming. Hot on the heels of their breakout 5th studio release Doom Wop (2023), Rickshaw Billie’s Burger Patrol returns with Big Dumb Riffs: A whole new variant of the fuzzed out, overdriven, melodic, groovy music they have been making since 2016. While Big Dumb Riffs is decidedly more aggressive and rhythmic, it still retains the overtly melodic feel of Doom Wop. But Leo Lydon’s vocals are considerably more angry and negative (song titles like “1-800-EAT-SHIT” and “Body Bag” should be a clue.) “The whole writing process was, ‘what if we just played two notes the whole song’,” Metzdorf says. “‘What if we tuned down to almost unusable string tension?’, ‘what if we write a record that will make everyone say 'wow that is dumb’? Leo and I really move around on stage a lot. Being a dingus is crucial to the groove. All these riffs were designed to allow us to act bigger and dumber on stage.” Big Dumb Riffs is available on LP, cassette and streaming, released on March 22, 2024. Rickshaw Billie's Burger Patrol Website Rickshaw Billie's Burger Patrol @ Bandcamp Rickshaw Billie's Burger Patrol @ Facebook Rickshaw Billie's Burger Patrol @ Instagram Rickshaw Billie's Burger Patrol @ Spotify Rickshaw Billie's Burger Patrol @ YouTube |
BEWITCHER
All the best tunes belong to the Devil, and Portland’s bastard triptych Bewitcher have returned to take back rock n’ roll in Baphomet’s name. Spell Shock, the speed demons’ latest, raises Bewitcher's horns and pushes their extremes straight into the fiery red. Says bassist A. Magus on the unholy genesis of the new album: “Spell Shock is the product of playing 130 shows in a row and then going straight into writing and recording,” Indeed, Bewitcher's unrelenting post-Covid-era tour-grind for their 2021’s Cursed Be Thy Kingdom, alongside the likes of Municipal Waste, Goatwhore, Cavalera and Exhumed became the fuel for their finest moment to date. Spell Shock lives up to its title. It’s riffs, filth and fury at their most demonic and rebellious.When searching for a producer for Spell Shock, Bewitcher found a kindred spirit in Bewitcher fan, Lars Frederiksen. A like-minded badass, largely known for his guitar-wielding presence in Rancid and Old Firm Casuals, Frederiksen’s passion for metal and punk was an unexpected, but natural fit. “It was weird case of the stars aligning,” says frontman Mateo von Bewitcher. “At first, we were kind of like, ‘Huh?’ But literally from the first conversation, it turned into a total no-brainer.” Lars Frederiksen himself is equally stoked on the results: “It’s the best record I’ve ever produced for one of the best bands in the world.” Says Magus of their experience with vaunted producer: “[Lars’] knowledge of heavy metal, black metal and thrash – as well as punk, is vast and extreme. It was definitely a match made in hell.” From Spell Shock’s pummeling first invocation, “Starfire Maelstrom”, Bewitcher stake a bloody claim on making a metal record that’s equally classic and contemporary. In classic Bewitcher fashion, the trio is hardly sheepish (or goat-ish) about waxing on the dark side as inspiration in their classic metal quest. “[‘Starfire Maelstrom’] is full of apocalyptic, speed demon vibes and imagery taken from the worst of current events that only get more apocalyptic as time goes by,” says Von Bewitcher of Spell-Shock’s lead missive. “It’s the feeling you get from “Fight Fire with Fire” on [Metallica’s] Ride the Lightning. It’s immediate how it feeds into themes of human destruction and war, but also has cosmic elements. It’s a classic album opener.” With Bewitcher, classic is key. “We kept coming back to classic heavy metal records for inspiration,” says Magus. “What we got was our take on classic 80’s metal records using the tools we have today.” The band also credits engineer and mixer Chris Dugan, best known for his work with Green Day (Yes, Green Day, but listen to those guitars!), for nailing Spell Shock’s energized rawness. “We’ve always tried to be an old school band, without being or sounding like a retro or trad metal band,” adds Von Bewitcher. Songs like the title track or “Out Against the Law” are rough-riding anthems while “Dystopic Demonolatry” blasts as hard as anything from the band’s self-titled 2016 debut or 2019’s Venom-worshipping classic Under the Witching Cross. “The intent of this album was to take all the elements of Bewitcher and throw them into the cauldron,” says Magus. “Let’s bring back some of the first record vibe, but let’s also have some of the rock elements from Cursed Be Thy Kingdom, while broadening the sound. It’s a silver bullet of a record.” From its eye-grabbing-and-gouging artwork by Italian horror maestro Solo Macello, to songs like the haunting “We Die in Dust”, to the epic closing track “Ride of the Iron Fox” (“That’s Bewitcher's Dokken song!” laughs A. Hunter.) Spell Shock is Bewitcher at their most evolved and most devastatingly primal. “We wanted it to be an album experience,” says drummer A. Hunter. “Imagine King Diamond’s Abigail in terms of atmosphere merged with the energy of AC/DC’s High Voltage.” Bewitcher's diabolical tale begins in 2013 when longtime friends and collaborators, Von Bewitcher and Magus gathered elements and inspirations from the likes of Motorhead and Bathory to concoct the Satanic Panic and Wild Blasphemy demos (collected for 2023’s Deep Cuts & Shallow Graves compilation of demos and unreleased tracks). With early anthems like “Speed til You Bleed” or “Too Fast for the Flames”, Bewitcher snared a rabid cult with their assault of insanely catchy riffmongery and grimly fiendish wordplay. By 2015, they had a leather jacket and dark sunglass-clad touring lineup ready and hit the road, to never look back. Touring became non-stop, the three-piece becoming a seasoned live band owning stages across North America and Europe as they spread the gospel of their self-dubbed “Black Magick Metal”. From Hell to eternity, Bewitcher's blasphemous mission remains unfailingly the same - playing razor sharp, unforgettable heavy metal from festival stages to the darkest recesses of small clubs across the world. “We still have to earn it every night,” says Magus. “We’re going to go grind it as hard as we can and win over as many people as we can. That’s Bewitcher and that’s the essence of heavy metal itself.” Bewitcher Website Bewitcher @ Bandcamp Bewitcher @ Deezer Bewitcher @ Facebook Bewitcher @ Instagram Bewitcher @ Spotify Bewitcher @ X Bewitcher @ YouTube |
TEN TON SLUG
Ten Ton Slug plays riff-laden sludge from the west Ireland and has shared stages with Black Label Society, Crowbar, Corrosion of Conformity, Conan, Memoriam, Jinjer, and more.Ten Ton Slug @ Bandcamp Ten Ton Slug @ Deezer Ten Ton Slug @ Facebook Ten Ton Slug @ Instagram Ten Ton Slug @ Spotify Ten Ton Slug @ YouTube |
DIGGETH
Take 50 years of Hard Rock, Metal, Southern Rock and a bit of Progressive Rock; Diggeth will digest it and will spew out their mix of all these genres in songs with hooks, heaviness and groove! This kick ass 3-piece band does give a complete new meaning to “Metal-‘n-Roll” with their breakthrough album Gringos Galacticos. Their live shows are legendary; the mix of genres is never forced, it flows, it pulses, it grinds and most important; it grooves! It leaves you with an impressive “beep” in your ears and makes you wonder: “How can a three piece sound so big?”The band, founded by big bearded, veteran guitarslinger & vocalist, Harald “Big H”, know their trade: From the big sounding guitar and the weathered, raw and melancholic vocals, to the low-end thunder by bassplayer Natasja aka “Pebbles” and the grooving, heavy drums by Casper “The Chief”; This band is on fire. To deliver more than a great show, it takes hard labour, practice and experience. Diggeth do understand that basic fact very well, they toured and played from 2004 up to the present, all over Europe and The UK multiple times. This Intense touring brought them opening slots to a fine selection of respectable bands such as: Michael Schenker, Exodus, Megadeth, Slayer, Karma To Burn, Soulfly, Sacred Reich, Motörhead’s Phill Campbell And His Bastard Sons, Flotsam & Jetsam and Disturbed. All these impressions and experience were absorbed, digested and erupted on their critically acclaimed album Gringos Galacticos, which has been released in 2019 on No Dust Records and in 2020 in the USA by Qumran Records. During the pandemic the band stayed to true to their motto “Keep On Diggin” and returned to the studio to write and record so much material, enough to fill a double vinyl album, entitled “Zero Hour In Doomtown”. This behemoth of an album will be released, through No Dust Records, in association with Suburban Records, for Europe and Qumran Records in the USA. Diggeth Website Diggethg @ Bandcamp Diggethg @ Deezer Diggeth @ Facebook Diggeth @ Instagram Diggeth @ Spotify Diggeth @ YouTube |
IN FLAMES
In a music scene full of seemingly endless subgenres and transient trends, In Flames are an example of what it means to steadfastly stay true to your vision. Since forming in Gothenburg, Sweden, in 1990 the legendary melodic metal act have toured the planet countless times and influenced many of today's biggest metal acts without ever ceasing to push their own signature sound forward. In that spirit the band's twelfth full-length Battles sees In Flames eschewing proven formulas in favor of trying new things, most notably finding a new collaborator in Grammy-nominated producer Howard Benson (My Chemical Romance, The Used ) who was brought into the band's coveted inner circle in order make Battles an album that will appeal to every type of In Flames fan.“This album came together much sooner than we thought it would,” guitarist Björn Gelotte explains when asked about the writing process. “I was very reluctant in the beginning but I had a bunch of riffs so I just sat down with [vocalist] Anders [Fridén] and started working on stuff and it began to come together really quickly.” Before bringing things to bassist Peter Iwers and guitarist Niclas Engelin, the duo decided to leave the comforts of Sweden for Los Angeles where they would write all day and then BBQ and drink beer until the early hours of the morning. “I think being in California really affected this album in the sense that we had a studio in the house that we were staying at and the vibe was really relaxed which lent itself to productivity,” Fridén adds. In fact although the band were only planning on recording 11 songs they actually came away with 15 of them and this inspiration was partially due to Benson's influence on the overall process. “I think it really helped having a producer who could make us focus on what we needed to accomplish and keep us on track,” Fridén continues. “This was a very new approach for us because we've never let anyone else in the way we did with Howard,” Gelotte adds. “We met with a lot of producers prior to starting this album and he seemed like the only guy who didn't want to change anything; he just wanted to make sure we were making the best In Flames record that we could and it just felt right,” he continues. “It's not that we aren't happy doing things ourselves. we just thought we would try something different because that's what this band has always been about.” That confidence and palpable excitement is dripping all over Battles from the instantly infectious “take the power back” anthem “The Truth” to the jaw-dropping technical brutality of “Through My Eyes” and distinctive groove and climactic chorus of the album's title track. In other words, the album sees the band making the hooks sharper, the riffs tighter and honing the overall attack in a way that parallels their legendary live shows in an unparalleled fashion. “When people hear this album I think they're going to instantly know that it's the new In Flames without us repeating the same song over and over and that's something I'm incredibly proud of,” Fridén says. “There's something in the fingers of the guys and my voice that's undeniable but I really hope that our songwriting is something can continue to evolve the way that it did here in the future.” That relentless drive to innovate in light of their success is something that's been inherent in In Flames' approach from day one and it's something they've never lost sight of despite their countless accolades and constant reinventions. ”We decided early on we are going to do this band our way and aren't going to think about what the flavor of the month is,” explains Gelotte. “In the end we are the ones who are going to have to play these songs and stand behind them and as long as we love what we you do and make the listener feel it then that's what makes it an In Flames song,” he continues. “That may sound like a cliché but it's true. We need the music to be as interesting to us as it is to our fans because this has never just been a job for us, it's a way of life.” This mission statement to be working as evidenced by the fact that In Flames' audience is a wide range of ages, genders and music fans, which is ultimately due to the fact that the band have never tried to be something they're not. “The beautiful thing about this band is that you can do whatever the fuck you want and that's the whole point of the music because all of the restrictions and labeling kills it in a way,” Gelotte summarizes. “This time around we had the Howard filter to come in and give us a new perspective on how we could approach this songs but ultimately what it comes down to is very simple: Is it good or is it bad? If it's something that all of us can stand behind and be proud of then we know that it's an In Flames song.” In Flames Website In Flames @ Bandcamp In Flames @ Deezer In Flames @ Facebook In Flames @ Instagram In Flames @ ReverbNation In Flames @ SoundCloud In Flames @ Spotify In Flames @ X In Flames @ YouTube |
HEAVEN SHALL BURN
Since 1996, Germany's Heaven Shall Burn have specialized in politicized death metal fused with metalcore, melodic death, and deathcore. Their lyrics typically express support for anti-racism and anti-fascism. They also write about resistance, oppression and animal rights. The band's members are all either vegan or vegetarian. The group's brutalizing sonic onslaught has drawn comparisons to traditional death metal bands like England's Bolt Thrower and Sweden's the Haunted, but is much more frenetic. Their second full-length, 2002's Whatever It May Take (packaged with a reissue of their EP In Battle There Is No Law), took them outside Germany to play festival and club stages in Iceland, Greece, the U.K., and at German festivals including Wacken Open Air. 2006's Antigone, their debut for Century Media, showcased a more chug-worthy riffing style that basically left the melodic death metal aspect of their attack behind. The album's commercial success netted the band a headlining tour of the U.K. Their Iconoclast trilogy (2008's Iconoclast I: The Final Resistance, the live-in-Vienna Iconoclast II: Bildersturm - The Visual Resistance, and 2010's Iconoclast III: Invictus), all landed inside Germany's Top 25 and established them as one of the most consistent seat-filling acts in heavy metal. 2013's Veto charted in the U.S. (number 14, Top Heatseekers Albums) where Heaven Shall Burn at last became a top concert draw. 2016's Wandererproved to be their most successful album in terms of sales. It placed inside the Top 20 on five European charts, including at number three in Germany.Founded by guitarist Maik Weichert and drummer Matthias Voigt in the fall of 1996, Heaven Shall Burn (initially named Consense) soon included singer Marcus Bischoff and bassist Eric Bischoff. Following a set of demos, the band recorded a 1998 mini-CD entitled In Battle There Is No Law (reissued on CD with bonus tracks in 2002) and a split LP with Fall of Serenity before welcoming second guitarist Patrick Schleitzer into their lineup. Signing with Lifeforce Records in early 2000, they subsequently unleashed the very competent Asunder album, as well as another split CD (this one with Caliban) and proceeded to tour both Europe and South America. 2002 saw the release of another acclaimed effort, and their first to gain worldwide distribution, Whatever It May Take, after which the group signed with Century Media and cut their third full-length album, Antigone, in 2004. Their Century follow-up, Deaf to Our Prayers, followed in 2006 and in 2008, the band released the first of three conceptual albums Iconoclast 1: The Final Resistance. The second piece in the set, Iconoclast II: Bildersturm - The Visual Resistance, was a live DVD/CD that appeared in 2009. Rounding out the Iconoclast series was 2010's Iconoclast III: Invictus. During this time, drummer Matthias Voigt was temporarily replaced on-stage due to back surgery. Though he returned for the release of 2013's Veto, he was forced to leave the band for good later that year due to recurring health problems and was replaced by Christian Bass on drums. After extensive touring across Europe, South America, and the United States, and a short break, Heaven Shall Burn entered the recording studio with producer Alexander Dietz. They cut 12 songs and a pair of covers, Sodom's "Agent Orange," and My Dying Bride's "The Cry of Mankind." A deluxe edition included a bonus disc of covers that Heaven Shall Burn recorded throughout their career. A long international tour followed, winning them main-stage performances at virtually every metal festival on the globe over the next two years. When the band re-entered the recording studio in 2019, they elected guitarist Alexander Dietz as producer. They cut Of Truth & Sacrifice as a loosely conceptual double album. The first, "Of Truth," and the second "And Sacrifice," consisted of 19 original songs and a cover (on volume two) of Nuclear Assault's "Critical Mass." Released in the spring of 2020, with a deluxe edition that contained the movie Mein grünes Herz in dunklen Zeit (My Green Heart in Dark Times) on a separate DVD. All told, the album comprised was some 97 minutes of music. The double set sold well internationally and marked the first time Heaven Shall Burn placed an album at number one the German charts. Heaven Shall Burn Website Heaven Shall Burns @ Deezer Heaven Shall Burn @ Facebook Heaven Shall Burn @ Instagram Heaven Shall Burn @ SoundCloud Heaven Shall Burn @ Spotify Heaven Shall Burn @ X Heaven Shall Burn @ YouTube |
JINJER
Leading modern metal juggernauts JINJER return with their eagerly awaited fifth studio album, Duél, set to be released on February 7, 2025 via Napalm Records! Known for their unique progressive groove metal sound that is impossible to replicate and goes against everything written in the heavy metal rulebook, Ukraine’s JINJER have cemented their standing in the global metal scene through tireless touring and the extreme success of their previous albums, including the chart-storming 2021 studio album Wallflowers. Praised by both fans and critics, JINJER have gathered tens of millions cross-platform streams on their biggest hits, such as fan-favorite “Pisces”, and have managed to create an entirely unique sound that followers and metal elite alike could describe as musical perfection.Many sold-out headline shows and performances for massive audiences at leading festivals such as Wacken Open Air and Download UK serve as further proof of JINJER’s dedicated, ever-growing fanbase. Having previously shared stage with the likes of Arch Enemy and Cradle Of Filth, recent additions to JINJER’s intense live schedule feature supporting the legendary Sepultura on their farewell world tour. The new album showcases the very best of JINJER’s multifaceted, extreme soundscapes, providing a gripping listening experience. Nothing less than the highest level of musicianship is expected from the modern metal frontrunners, and track after track JINJER skillfully delivers fierce attitude and emotion. Charismatic vocalist Tatiana Shmayluk’s extraordinary vocal performance combines brutal growls and epic clean vocals, soaring atop chugging riffs, intricate drum patterns, aggressive guitars and Eugene Abdukhanov’s trademark bass wizardry. On Duél, JINJER continue their long-lasting collaboration with accomplished producer Max Morton, who co-produced, mixed and mastered the album. This new masterwork lives up to JINJER’s reputation as metal visionaries, once more showing that the band refuses to follow any set rules in their genre, but choose their own path of creativity. Jinjer @ Facebook Jinjer @ Instagram Jinjer @ X Jinjer @ YouTube |
PALEFACE SWISS
Paleface Swiss (formerly just Paleface) is a slamming deathcore band from Zurich, Switzerland.The band formed in 2017, releasing their debut EP 'Chapter 1: From the Gallows', the following year and the follow-up, 'Chapter 2: Witch King', in 2019. In 2020, they released their debut studio album, 'Chapter 3: The Last Selection'. In 2022, they released their second album 'Fear & Dagger', which was met with positive reception. Paleface Swiss gained international recognition throughout the Deathcore and Beatdown Community. Known for their simply aggressive riffs, unusual blasting drums and a heavily bass output and a pinch of humor. This is Switzerland’s finest heavy music. Paleface Swiss Website Paleface Swiss @ Facebook Paleface Swiss @ Instagram Paleface Swiss @ TikTok Paleface Swiss @ YouTube |
SYLOSIS
Sylosis are one of the UK’s most renowned names in thrash, death metal, and progressive metal. Founded by guitarist Josh Middleton, the band quickly established a niche in the metal scene, known for intricate guitar work, intense riffs, and complex song arrangements. Middleton’s versatile guitar skills and commanding vocal presence have shaped the band's sound, combining technical precision with a dark and brutal atmosphere.Their debut full-length album, Conclusion of an Age, introduced listeners to a style that was both aggressive and melodic, drawing from classic thrash and modern metalcore. Subsequent releases like Edge of the Earth and Monolith helped Sylosis build a die-hard international fanbase, cementing their reputation as a driving force in modern metal. Following a brief hiatus, during which Middleton served as guitarist for Architects, Sylosis resumed recording and touring in 2019. With each album, they have continued to refine their sound, earning respect as one of the most popular names in contemporary British metal. Sylosis Website Sylosis @ Bandcamp Sylosis @ Deezer Sylosis @ Facebook Sylosis @ Instagram Sylosis @ Spotify Sylosis @ TikTok Sylosis @ X Sylosis @ YouTube |
GLORYHAMMER
And lo, Planet Earth had been destroyed by the Hootsman, with an explosion so powerful it ripped a hole in the very fabric of spacetime. And yet, Zargothrax was still not defeated, for he managed to use his last shreds of power to escape through the dimensional rift. Vowing to defeat the evil sorcerer, Angus McFife XIII followed him into the portal, with no idea where it might lead…Mighty warriors of the galaxy! GLORYHAMMER has returned from an epic quest, and they come bearing their new album, "LEGENDS FROM BEYOND THE GALACTIC TERRORVORTEX". In this thrilling third chapter of the Gloryhammer saga, we follow the legendary prince Angus McFife into another dimension, where he will fight with more terrifying foes and embark on more epic adventures than ever before. Join his quest to save the Kingdom of Fife, through 10 tracks of nuclear-fueled high-velocity heroic power metal, the likes of which you've never heard in your life. FOR THE ETERNAL GLORY OF DUNDEE! Gloryhammer Website Gloryhammer @ Bandcamp Gloryhammer @ Deezer Gloryhammer @ Facebook Gloryhammer @ Instagram Gloryhammer @ SoundCloud Gloryhammer @ Spotify Gloryhammer @ X |
VISIONS OF ATLANTIS
Visions Of Atlantis is a Austrian symphonic metal band with international character since its members have their origin from three different countries: Austria, France & Italy. But not only that: VoA is also internationally well known. In their over 20 years history the band played shows on different continents like South & North America, Asia and of course in a lot of countries in Europe. Founded in 2000, the band had to face many line-up changes. Drummer Thomas Caser is the only remaining founding member, but in 2018, with the album “The Deep & The Dark”, a new era has started.With this album Clémentine Delauney and the former singer Siegfried Samer brought the band back to the roots of their origin. With their music they take us on a journey through the seven seas and on the path of mysterious legends. Dive into the wonderful world of pirates, sailors and wanderers and enjoy the epic, grandiose and magnificent tunes of Visions Of Atlantis! Visions of Atlantis Website Visions of Atlantis @ Deezer Visions of Atlantis @ Facebook Visions of Atlantis @ Instagram Visions of Atlantis @ SoundCloud Visions of Atlantis @ Spotify Visions of Atlantis @ TikTok Visions of Atlantis @ YouTube |
DIE KRUPPS
Critics worldwide hail them alongside KRAFTWERK and EINSTUERZENDE NEUBAUTEN as pioneers of Electronic and Industrial music, bands like FRONT 242 and NITZER EBB called them their inspiration, and their musical ideas found their way into the sound of a wide spectrum of music, from DEPECHE MODE to the innovative pioneers of Detroit Techno. Over 30 years and many internationally successful albums, DIE KRUPPS have developed an unmistakable signature sound that is meant to stay!After monumental and industrial beginnings with the album 'Stahlwerksinfonie', the foundation for Electronic Body Music was laid by the single 'Wahre Arbeit Wahrer Lohn' (both Album and Single Of The Week in the British NME), and the following albums 'Volle Kraft Voraus' and 'Entering The Arena', which created international interest in the band's characteristic synthesis of hard electronics and highly danceable beats. European wide releases secured the band a large following, that was only meant to increase in the '90s. After a 3-year break, international chart positions of a remake of their classic track 'Wahre Arbeit', now called 'The Machineries Of Joy', which was a collaboration with NITZER EBB (U.S. Billboard Dance Charts Top 10), marked the next chapter in the history of the band. The following widening of their musical spectrum, which saw the addition of a more metal inspired aggressive vocal style and guitar riffs on the album 'I', and the essential single track 'Metal Machine Music', was like a slap in the face of conservative critics and listeners alike. The mini album 'A Tribute To Metallica' underlined this daring step, gaining the attention of Lars Ulrich and Co., who helped to secure the band a deal in the U.S. The highly successful albums (european-wide chart positions, Germany Top-20) 'II - The Final Option', 'The Final Remixes', which consisted of remix interpretations of DIE KRUPPS tracks by fellow bands such as NINE INCH NAILS, THE SISTERS OF MERCY, FAITH NO MORE, CLAWFINGER and many others, and the album '..III - Odyssey Of The Mind', were again inspiration to many upcoming new bands, such as RAMMSTEIN, whose song 'Tier' was a direct adaptation and tribute to DIE KRUPPS' 'The Dawning Of Doom' from the album 'I'. After several worldwide tours, and another chart-topping album, 'Paradise Now' (Germany No.17), on which the band collaborated with Arthur Brown ('Fire'), it was decided to bring a temporary stop to the bands extraordinary career. 2005 marked the 25th anniversary of DIE KRUPPS, which was reason enough for the 2 original members Engler and Doerper to prove to the rest of the world that DIE KRUPPS are far from being dead. The reunited group played festivals across Europe and proved that their live shows are as energetic as ever. The audience response was overwhelming and proved that the band had not lost any ground during its absence. In November 2007, DIE KRUPPS' new album 'Too Much History' was released. The album included re-recordings of the greatest hits from almost every album the band had released in the past, plus several unreleased new tracks, including 'The Great Divide', '5 Millionen' and several collaborations, with Client B from the band CLIENT, and again Douglas McCarthy from NITZER EBB. The end of 2008 saw the release of a remix album of the 1982 album 'Volle Kraft Voraus', entitled 'Volle Kraft Null Acht'. KMFDM, FUNKER VOGT, PROJECT PITCHFORK, LEAETHER STRIP, SPETSNAZ and MODULATE are only a few acts who besides many others contributed to the project. The 2 singles 'Volle Kraft Voraus' and 'Ende Der Träume' topped the German Alternative Charts for weeks. In 2010 the mini-album 'Als Wären Wir Für Immer', consisting of all new material, hit the stores. It also stayed in top positions of the Deutsche Alternative Charts for many weeks, and re-entered during the NITZER EBB/DIE KRUPPS European tour in April of 2011. The tour, which was launched under the motto 'Join In The Rhythm Of Machines', was a huge success. A joint NITZER EBB/DIE KRUPPS EP, consisting of re-worked versions of each band's favorite songs, was sold exclusively at the shows. Those songs were also played live, followed by the definite highlight for many fans, the anthemic 'Machineries Of Joy', which saw both bands perform the song together for the first time. At the end of 2012, the first single from the upcoming album 'The Machinists Of Joy' was released. 'Risikofaktor' made it No.1 in the German DAC Charts again, and stayed in the pole position for a full month. 2013 was to become the year when DIE KRUPPS machinery went back into full swing. The machines were greased, the dust shaken off, the factory gates opened again. After shift operation was restored, the long-awaited new prototype 'The Machinists Of Joy' rolled off the assembly line on 25.10.2013. With this most recent effort DIE KRUPPS seamlessly picked up the streak of their genre-defining releases in the '80s and '90s. DIE KRUPPS still deliver 'Metal MACHINE Music' - heavy, danceable, sometimes epic machine-music, adorned with well-placed guitar attacks and the ever-onward hammering of the 'steel-o-phone', paired with critical contemporary lyrics, setting themselves off from what has become the norm today. Referring to their top-10 Billboard-hit from 1989 'Machineries Of Joy', the album title already hinted at a stronger focus on electronic sounds, rather than guitars, which dominated the current outfit of DIE KRUPPS. Nevertheless, hard guitar riffs were interwoven with the pumping signature sequencers. The album also made it to No.1 in the German DAC Charts, where it was holding the pole position again for several consecutive weeks. The second single of the album 'Schmutzfabrik' peaked at No.2, staying there for 7 weeks. In mid-February 2014, the factory bell rang in the night shift on European stages, to be known as 'THE MACHINISTS OF JOY'-TOUR 2014. 12 dates on which DIE KRUPPS were going to present their first studio album of the new millennium in sweat-inducing manner! On August 28th 2015, DIE KRUPPS returned with their new release 'V - Metal Machine Music'. Back to the distinctly guitar-based sound from the late '90s, the new songs showed a much increased level of aggressiveness! DIE KRUPPS had never before combined such heavy guitars and powerful sequencers. The upcoming shows proved that this direction was well reserved by the audience Europe wide. Alongside mastermind Juergen Engler (vocals, steel-o-phone), the line-up was machinist Ralf Doerper on Korg MS-20 synthesizer, Marcel Zuercher on guitar, with Volker Borchert from former metal band Accuser on drums, and Nils Finkeisen on second guitar. The album 'V' made the official sales chart in Germany and cracked the Top 40! The singles 'Battle Extreme' and 'Kaltes Herz' both made it to No.1 in the German DAC Charts, the latter stayed in the pole position for 6 consecutive weeks! Steel, hard work, muscle strength, sweat, machines ... but also structural change, unemployment, dislocation, xenophobia and anxiety about the future: powerful words that DIE KRUPPS have always used and filled with content, that they attach visions to, that they transform into a solid base for their music - their very own, unique sound that has consistently evolved over the past four decades and that continues to be unmistakable. "Vision 2020 Vision" is their latest masterpiece, a concept album: music, artwork and lyrics are inextricably linked, they fuel and cross-fertilize each other. The world of Engler and Dörper is monochromatic and grim, but the imminent world they see through their lens, ought to, and indeed must, frighten you. In all this, DIE KRUPPS's themes are as topical and relevant as ever: "Extinction Time" and "Vision 2020 Vision" describe our world on the edge of the abyss. Chaos and violence rule the streets, governments are powerless. The great flood will come, wash everything away and leave nothing but darkness. "Alllies" and "Fuck You" are directed overseas; where egoism, borders and ruthlessness are dictated from the very top while Europe looks on passively, turning into a compliant minion. "Human" is a reckoning with the whole human race which has been regressing for several decades. Civilizations increasingly turn into hordes of wild, murderous barbarians. The title song puts in a nutshell where this development is bound to take us: "Violence will soon explode, frustration reaches overload, revolution is imminent, we're in the year of discontent" (quote: "Vision 2020 Vision"). What remains is the hope that Jürgen Engler will be proved wrong in this instance. 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